In “The Last Girl,” Nadia Murad tells the story of her captivity along with other members of her Yazidi village of Kocho. It is an intimate account of what she calls “a slow, painful death — of the body and the soul.” As an insider, she is able to present a full portrait of her people as more than just victims. She writes with understandable anger but also with love, flashes of humor and dignity. In telling her story, Murad also offers glimpses of what has been wrought over recent decades in Iraq.
Read more in The Washington Post.